On View
Calder Gardens presents a rotating installation of artworks by Alexander Calder spanning the artist’s 50-year career and diverse oeuvre. The works on view do not represent a chronology nor an art historical narrative. Instead, they are chosen in response to Herzog & de Meuron’s architecture and Piet Oudolf’s gardens. Some will remain for years, others for only a few months, contributing to an environment that is ever-changing. Like the flowering of plants in a garden, Calder’s art will come and go in waves: a slow process of change that encourages close looking and repeat visits.
The inaugural installation contains an “altar” to Calder’s artist ancestors, including works by Calder’s mother, the painter Nanette Lederer Calder; his father, the sculptor Alexander Stirling Calder; and his grandfather, the sculptor Alexander Milne Calder. Each of these artists spent meaningful parts of their lives in Philadelphia, making this grouping a special nod to the city that Calder Gardens calls home.
Below is a list of artworks, presented in the order you may encounter them as you walk through our galleries.
See plants on view.
Artworks On View
The Cock’s Comb, 1960
Sheet metal, bolts, and paint
119 1/4 x 135 5/8 x 80 1/2 in.
Whitney Museum of American Art, New York; Purchase, with funds from the Friends of the Whitney Museum of American Art
This large-scale, three-dimensional sculpture is constructed from flat, matte black metal plates joined at intersecting angles. It sits on a light gray, linear-patterned stone ground. The structure is composed of several distinct, jagged sections that extend outward from a central vertical axis.
On the left side, a large plate features a wide, undulating edge with two sharp points and a rounded, hook-like curl at the bottom. In the center, a tall, narrow, biomorphic plate extends vertically, tapering to a sharp point at the top. This central piece is flanked by two thinner, leg-like plates that curve downward to touch the ground at sharp points. To the right, a long, triangular section extends horizontally and downward, ending in a sharp point near the ground.
The sculpture creates several triangular and irregular negative spaces where the plates intersect. The surfaces are smooth and uniform in color. In the background, there is a building with a reflective glass wall and a wooden-paneled section under a metallic roof. A taller building and a clear blue sky are visible in the distance. The lighting comes from the upper left, casting a dark, elongated shadow from the sculpture onto the stone tiles to the right.
Untitled, 1976
Sheet metal, rod, and paint
13 x 132 x 42 in.
Calder Foundation, New York
3 Segments, 1973
Sheet metal, rod, wire, and paint
79 x 200 in.
Calder Foundation, New York
Tentacles, 1947
Sheet metal, wire, and paint
22 x 36 x 38 in.
Calder Foundation, New York
The Green Stripe, 1963
Oil on canvas
35 x 51 in.
Calder Foundation, New York
Untitled, c. 1945
Oil on canvas
30 x 30 in.
Calder Foundation, New York
Black Widow, 1959
Sheet metal, bolts, and paint
92 x 171 x 89 in.
The Museum of Modern Art, New York; Mrs. Simon Guggenheim Fund, 1963
21 feuilles blanches, 1953
Sheet metal, wire, and paint
59 x 80 1/2 x 35 in.
YAGEO Foundation Collection, Taiwan
Sword Plant, 1947
Sheet metal, wire, and paint
42 3/4 x 31 1/4 x 30 1/2 in.
Calder Foundation, New York
Myxomatose, 1953
Sheet metal, wire, and paint
101 x 161 in.
Calder Foundation, New York
Untitled, c. 1952
Sheet metal, wire, and paint
58 x 71 in.
Calder Foundation, New York
Untitled, 1943
Wood, wire, and paint
24 x 28 x 15 in.
Private collection
Untitled, 1943
Wood, wire, and paint
24 x 28 x 10 in.
Private collection
Fetishes, 1944
Oil on canvas
28 x 24 in.
Calder Foundation, New York
Jerusalem Stabile II, 1976
Sheet metal, bolts, and paint
141 x 288 x 143 in.
Calder Foundation, New York; Gift of the Philip & Muriel Berman Foundation, 2005
Untitled, 1946
Oil on canvas
25 x 42 in.
Calder Foundation, New York
The Putney Mobile, 1954
Sheet metal, wire, and paint
51 1/2 × 142 × 140 in.
Calder Foundation, New York; Purchase, 2025
Large Flat Black (previously Big Black “Moscow” Mobile), 1957
Sheet metal, wire, and paint
38 1/2 x 140 x 44 in.
Private collection
Scarlet Digitals, 1945
Sheet metal, wire, and paint
85 × 95 × 41 in.
Calder Foundation, New York
Tripes, 1974
Sheet metal, bolts, and paint
144 x 132 x 118 in.
Calder Foundation, New York
Knobs, 1976
Sheet metal, bolts, and paint
141 x 65 3/4 x 97 1/2 in.
Calder Foundation, New York
Untitled, 1954
Sheet metal, rod, bolts, and paint
156 x 228 x 156 in.
Calder Foundation, New York; Gift of Andréa Davidson, 2007
Thirty-Two Discs, 1951
Sheet metal, rod, wire, and paint
90 x 35 x 31 in.
Calder Foundation, New York
Little Yellow Panel, 1936
Wood, sheet metal, wire, string, and paint
44 3/4 x 19 1/4 x 19 1/4 in.
Calder Foundation, New York
29 feuilles blanches, 1960
Sheet metal, wire, and paint
59 x 98 1/2 in.
Private collection
Polygons on Triangles, 1963
Sheet metal, bolts, and paint
114 x 73 1/4 x 96 in.
Calder Foundation, New York
Untitled, 1948
Sheet metal, wire, and paint
27 1/2 x 104 3/4 in.
Calder Foundation, New York
Alexander Stirling Calder
Star Maiden, 1914
Painted plastic travertine
52 1/4 x 15 1/2 x 9 3/4 in.
Calder Foundation, New York; Purchase, 2023
Self-Portrait, c. 1924
Oil on canvas
20 x 16 in.
Calder Foundation, New York; Purchase, 2016
Nanette Lederer Calder
A. Stirling Calder, c. 1915
Oil on canvas
12 x 10 3/4 in.
Calder Foundation, New York; Gift of Alexander S. C. Rower, 2022
Alexander Milne Calder
William Penn, 1888 (cast 1893)
Bronze
28 x 9 1/4 x 14 3/4 in.
Calder Foundation, New York; Purchase, 2020